r/DnD • • 1d ago

Weekly Questions Thread

2 Upvotes

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r/DnD • • 26d ago

Monthly Artists Thread

14 Upvotes

The purpose of this thread is for artists to share their work with the intent of finding clients, and for other members of the community to find and commission artists for custom artwork.

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Thread Rules:

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Artists should also consider advertising their work on other subreddits specifically dedicated to commissioned artwork:

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r/DnD • • 7h ago

Art [Comm][Art] Nyxel Briarwhisper, Archfey, druid

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287 Upvotes

Here's a druid I illustrated: an Archfey-touched wanderer whose arm has been replaced by living wood. The robin on her shoulder is her scout, bringing news from the forest. I wanted her to look like a creature the woods themselves had mended, rather than someone just wearing a costume; as a result, her gear is a seamless, organic fusion of bone, cord, leather, and bark. Created with Photoshop.

How would you play her? Tell me what you think overall :D

Want your own character drawn in this style? Commissions are open for a flat rate of €60!
Single character only but i would allow if character has familiar with it (it will count as one)

Currently i am working with few clients but i have enough room to produce these since they are fairly easy to make.
In case you want something more painterly, you can check all pricing and more works on my profile
(only few of them but there links where you can find more stuff and commission page)

If you are interested, you can contact me here.


r/DnD • • 5h ago

Art [Art] Lore Excerpt from A. Newbie's Guide to No'Adea:

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154 Upvotes

Howdy folks!

Here's a wee lore snippet about the Deepguard, which is a Dwarven military order based in Guldland, which is a Dwarven realm set in the world of No'Adea, which is the world where The Weekly Roll, Sellswords & Sorcery and Undercover Lich take place, which are the comics and writing projects I make!

I make lore posts on my socials in the form of excerpts from an in-universe guide to the world by the illustrious author Abraham Newbie. Got quite a few of the done now, hoping to one day make enough to print a wee book!

Anyway, the idea for the Deepguard is essentially a group of tunnelfighters, which got me thinking of what kinda weaponry they'd have. I respect and love the classic axe/hammer visuals that Dwarves have in fantasy settings, but quite frankly it doesnt always make sense to me, atleast not for a baseline unified fighting force. As with most historical armies and troops, the Dwarves would prefer to be able to stab their enemies as far away as reasonable, hence I went with the tried and true classic of board and spear combo. Added a little flange on the spear a la boar spear, lotsa weird shit down below that wouldnt let a pesky little impalement stop them from getting into biting range. Also, needed a sidearm so added a mattock for when shit hit the fan properly and CQC mode kicks in, a sword would also make sense but ya gotta respect the classics a little bit!

Really dig the armor design I've come up with so far! Little bit of homages to other dwarf armor designs but still managed to make it my own thing! The beard armor ornamentation denoting veteran status (longbeards eh?) is highly customizable and varies greatly. Female soldiers sometimes go with beard armor too but are also known to add armor plates to long and prominent braids. The rank armor is on top of the helmet and fairly uniform. My idea for the distinction is that rank is important to quickly see and pick out in a formation, thus on top of the helmet. Veteran status is mostly (mostly) an honor and prestige status and doesnt necessarily denote a higher spot in the chain of command, so it's featured lower in a place where you might not be able to see in a melee with a bunch of shields. And since it's less visible and important, it's more open to individual customization.

Stay excellent out there!

Peace and carrots!


r/DnD • • 11h ago

Art [OC] [Art] My elemental monk Neeka!

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347 Upvotes

My Imp Neeka I played for a one shot. She was a natural born Imp from the love of a warlock and her partner. She was really fun to play. I wish the imp race I used had more imp abilities tho. It was the Ashborn Imp from Avantris so I guess it wasn't built to be a true imp. I also gave her more of a spiked tail instead of a scorpion. I like the design a lot better. Since I made her a half imp it made more sense and worked with why she couldn't do everything an imp from hell could do.

Her backstory basically has her escape from her parents warlock tower after their Devil patron finds out about the love between her parents. She doesn't know if her parents survived that night, but she's been traveling ever since her parents smuggled her out before being attacked.

She ends up joining an adventures guild to see how she can help others.

I hope you guys like her!


r/DnD • • 6h ago

5.5 Edition My Players Were Convinced I Was Planning a TPK. Instead, They Woke Up 70 Years Later in a High-Fantasy World.

96 Upvotes

I wanted to share what happened during our last D&D session because I'd been preparing it for quite a while, and we finally got to play it. I'm running a homebrew campaign set in a kingdom called Vardesia, and my players had been getting increasingly suspicious of me over the last few sessions. They'd been finding magical items, making quite a bit of gold, and generally doing pretty well, so they kept joking, "Guys, we're screwed. The DM is giving us way too much stuff. Something terrible is definitely coming." I wasn't helping either, because I kept telling them I was working on something big and that they should be excited for our marathon session. They were convinced I was preparing some ridiculous boss fight or a TPK. Well, they were right about something terrible coming, just not in the way they expected. For context, the party consists of an Aasimar Fighter, a Moon Druid, a Drow Ranger, and a Barbarian with 5 Intelligence who has a habit of touching things he probably shouldn't. They even spent ages arguing about their party name when registering with the Adventurers' Guild, eventually settling on "The Lunatics" because of all the ridiculous things they'd done.

The whole situation started when the Barbarian used an ancient artifact containing a fragment of the First God's primordial creation energy. In my setting, the First God created the universe from his own essence, so the energy inside this thing was far beyond anything a mortal could reasonably control. Naturally, the Barbarian saw a glowing magical object and decided to use it. He gained access to a tiny fraction of its power, but it slowly began destroying his sanity. At one point, he hallucinated that his father was sitting in a tavern with them and told the Druid to get up and give his father a seat. That was when the others realized things were getting serious. Eventually, they traveled to Arakan and met with Lord Edric and his court wizard. The wizard examined the Barbarian and warned them that he might not even make it to the end of the month with his mind intact. He couldn't find a solution, so he recommended going to the Royal Magic Academy in Rodonlin, the capital. Edric pointed out that Rodonlin was almost twenty days away, which was a serious problem considering the Barbarian's condition. He initially ordered his wizard to teleport them, only to learn that he wasn't powerful enough to cast Teleportation Circle. So instead, Edric gave them permission to use the royal horse relay system, allowing them to change horses at stations along the road and reach the capital much faster.

The journey was pretty entertaining. The Drow experienced some racism, they passed crossroads with signs pointing toward Zendar and Starhaven, and a group of bandits tried to stop them but quickly changed their minds when the party confronted them. They also met a merchant whose daughter and merchandise had been taken by goblins. Despite knowing that every day mattered, the party decided to help and rescued his daughter. Eventually, they reached Rodonlin, and I spent some time describing the capital. It was a massive, wealthy, crowded city, completely different from the settlements they'd visited before. They genuinely seemed impressed. The Druid's response to the crowds was to Wild Shape into an Elk and basically force his way through the streets, which was hilarious. At the Magic Academy, they met two important NPCs: Orin, an ancient bronze dragon and extraordinarily powerful wizard, and Athelred, an eccentric old elven mage. They spent almost an hour talking to them. Orin recognized the First God's energy because he'd encountered it before, and he had developed a theoretical ritual to remove it from a living creature. However, the ritual had never actually been performed, so he couldn't guarantee the outcome. He explicitly warned them that things could go very wrong, even though he couldn't predict exactly what might happen. During the conversation, they discovered that Athelred was an old friend of the Druid's mentor, Aunt Emeril, and the founder of Starhaven. All three were elves, each around 600–700 years old, and had known one another for centuries. The party also handed over the Book of Vile Darkness to Orin for safekeeping. At the end of the conversation, Athelred casually announced that he'd come along to help.

Athelred ended up being one of my favorite parts of the session. He suggested using an ancient temple designed to contain magical energy for the ritual, and Orin agreed that it might work. First, they needed special crystals, so Orin teleported them to a crystal cave. There was a Water Elemental inside, and while the party fought it, Athelred literally sat down, watched the fight, and occasionally cheered them on. He kept saying things like, "Bravo! Well done, lads!" My players were getting annoyed because this supposedly powerful wizard had promised to help them and was now just sitting there enjoying the show. The funniest part was that Orin had already told them Athelred would need all his spell slots for the ritual, so he couldn't afford to waste them in combat. They knew that but were still annoyed. After collecting the crystals, Athelred used Teleportation Circle to take them to the temple, where they fought an Earth Elemental. During the fight, the elemental damaged part of a wall, and the Druid decided to check the magical runes. Some were damaged, so he repaired them. Later, they entered the main chamber and encountered a Shield Guardian. They debated attacking it, but the Druid started explaining that they weren't there with hostile intentions. The guardian just stood there doing absolutely nothing until Athelred laughed and said, "Don't worry, I built that thing." By this point, my players were simultaneously irritated by Athelred and genuinely enjoying his ridiculous personality.

Then came the ritual. They prepared the crystals, activated the ancient containment system, and Athelred began channeling the energy out of the Barbarian. And here's the important part: the ritual actually worked. The Barbarian was cured. They'd achieved exactly what they'd spent the entire adventure trying to do. Unfortunately, the containment system couldn't handle that amount of primordial creation energy. The crystals began to fail, and the energy started escaping. Athelred stayed behind, desperately trying to contain it long enough for the party to escape. He bought them the time they needed, but he was too close to the energy when the system collapsed and burned to death. The party escaped the temple, but the catastrophe had already begun. The energy released from the temple resonated with other fragments scattered throughout the world, triggering enormous explosions and unleashing creation energy on a scale nobody had anticipated. The kingdom was being torn apart, and reality itself was being reshaped. Eventually, the players were caught by the effects of the catastrophe and lost consciousness.

When they woke up, they weren't in the temple or Rodonlin. They were in a house inside a Kenku village. I started describing their surroundings: trees reaching 200–250 meters into the sky, wooden houses connected by bridges high among their branches, enormous chunks of rock floating in the air like mountains, and strange creatures they'd never encountered before. They started talking to the Kenku villagers, trying to understand what had happened. Eventually, they learned that Arakan had been devastated, the Kingdom of Vardesia no longer existed, and approximately 70 years had passed since the catastrophe. The world had completely changed. New kingdoms had risen from the ruins of the old one, the geography was radically different, magic was far more widespread, and enormous regions had become incredibly dangerous. This was the moment I'd been waiting for. I'd spent a lot of time designing the new world's history, geography, kingdoms, political conflicts, and the consequences of the catastrophe. My players had spent the session traveling through a living, prosperous kingdom, visiting its magnificent capital, and meeting people who'd existed in that world for centuries. Now the world they knew was (almost) gone. The Druid was particularly overwhelmed and said something like, "What the hell are we supposed to do now? We don't know anything about this world!" The others had similar reactions, while our Drow player was quieter, which is pretty normal for him.

One of the funniest moments came afterward when the Druid started blaming the Barbarian for everything. He was basically saying, "Look what you've done to us! You're the one who absorbed that energy! This is your fault!" And the Barbarian, with his glorious 5 Intelligence, defended himself by saying, "How is this my fault? The wizard picked the wrong place! The rock was glowing, so I used it! If I hadn't used it, you would've!" I was trying not to laugh because the whole discussion happened completely in character. What I liked most was that they were genuinely arguing about who was responsible for the catastrophe rather than simply accepting it and moving on. They knew I'd been planning something big, and Orin had warned them about the risks, but they still hadn't expected anything like this. Now they've successfully saved their Barbarian, lost a wizard they'd grown attached to, and found themselves stranded 70 years in the future without understanding the world around them. The Kenku villagers advised them to avoid Veridion and suggested heading toward Zendar instead, so we'll see what they decide.

I was a little nervous about making such a massive change to the setting, especially since we'd already spent quite a bit of time establishing the original kingdom, but the session turned out to be a lot of fun. The players seemed to enjoy the NPCs, the ridiculous moments with Athelred, and especially discovering how different the world had become. One of the main reasons I decided to make such a drastic change was that the campaign had originally started as a relatively low-fantasy setting. Most of my players were completely new to D&D when we started, so I wanted to introduce them to the game gradually without overwhelming them with too many unfamiliar things. But now they've gotten comfortable with their characters, learned the mechanics, and started getting into roleplaying, I felt it was the perfect time to take the world from low fantasy to full-on high fantasy. And rather than just introducing more magical elements over time, I thought it would be much more interesting to let them actually experience the event that transformed the world.

I'm really excited because they now have an entirely new world to explore while still carrying their memories and connections from the old one. Some of the cities they saw on road signs are now capitals of independent kingdoms, and places they visited before the catastrophe have become dangerous ruins. I'm planning to let them explore the new world at their own pace rather than immediately pushing another main quest on them. I genuinely can't wait to see what they do next.

There are actually a few more things I'd love to share, especially about what I've planned for the upcoming sessions, but I've already written way too much, and unfortunately my players know my Reddit account, so I can't really talk about those without spoiling things for them. And if any of you guys are reading this, please leave my Reddit account alone!


r/DnD • • 3h ago

OC [OC] Preview of Magna Urbis v2 – my Fantasy City Generator

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51 Upvotes

I’m currently working on Magna Urbis v2, my procedural fantasy city generator.

While v2 is in active development, you can check out the new renders and features in the preview gallery, or try the original v1 in your browser:

Feedback appreciated !


r/DnD • • 12h ago

Misc What is the funniest joke you’ve ever heard at the table?

161 Upvotes

While the joke isn’t that funny, the funniest joke I’ve ever heard was in regards to one of the characters eating a bucketload of boiled chicken in one serving, and after which i remember her saying— “I’m just having a snack is all.”…3.5 pounds of boiled chicken btw. What’s the funniest joke or bit you’ve ever heard on your table?


r/DnD • • 7h ago

Art [Art][OC] Oops All Tieflings!

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60 Upvotes

Sketched a small scene from the first session of our OOPS ALL TIEFLINGS campaign. Yes, we all independently decided to play as Tieflings. No, we do not regret it. lmao

From left to right -

Lieutenant Frederick of the Eastwind Navy, Swashbuckler Rogue. Presently on extended shore leave while he tries to determine whether his sweetheart has gone and gotten herself engaged to another man. He's only heard rumors, but it concerned him enough to go and seek verification. His last letter from her came months ago so there's really no telling.

Maeve, Bard from the Haeron Swamps. Her current aim is to try to find out how best to go about saving the swamps she calls home. Adventuring so far has been a little hard on her - the boat she and Ivi tried to take passage aboard was almost immediately attacked by Giant Octopuses, and the ordeal was a bit trying for her (even though she landed the killing blow on one of them! by giving it a stroke with Freezing Touch LMAO).

Ivi Hayward, Wizard from ??? Ivi has not been particularly forthcoming about her aims or origins, but we're only a session or two in, so! For now, what we do know is that she is traveling with Maeve and seeking knowledge and/or experience as she travels (albeit a bit aimlessly) across the Kingdom of Lunaelos.

Art by me!


r/DnD • • 22h ago

OC [Art][OC] Another toad witch illustration I made recently 🐸

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846 Upvotes

I shared another illustration of this character last week, so I figured I'd post this one too! This time, she's exploring some ancient ruins alongside her trusty cauldron familiar.

These characters are part of the Toad Magus Coven, a group of witches I've been developing for my own fantasy setting. I've been having a lot of fun exploring their designs and personalities, and I'm hoping to flesh them out into a proper faction for an upcoming D&D campaign!


r/DnD • • 19h ago

Art [Art] 👆Vampiric Touch🦇 What do you think of this spell?

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440 Upvotes

Sometimes when working on these spells I can get really ahead of myself and start drawing something without first glancing over the spell's description. I knew that I wanted the veins in the hand to be visible to help convey the sort of energy transference. But the spell description actually states: "The touch of your shadow-wreathed hand can siphon life force..."

I did attempt to draw the arm with all kinds of shadows, but I thought it took away more than it helped so I opted to keep the original idea.

I prepared this spell only once as a Wizard because I thought it was thematically cool, but could never find a optimal time to cast it. As a spellcaster, you typically want to avoid being on the front line in the first place, so I struggled with how to best leverage it. I'm curious what others think about this one from both a thematic and tactical perspective.

You can get this spell as a print from my Etsy store.

https://www.etsy.com/shop/TarikHavoc

ALSO! The Havoc Bound Illustrated Spellbook will be launching soon! Follow the project to get notified when it foes.

https://www.kickstarter.com/projects/havocbound/havoc-bound-an-illustrated-collection-of-dnd-5e-spells-0


r/DnD • • 15h ago

Art [OC][Art] my work-in progress for my Neon Odyssey party

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204 Upvotes

So this is the work-in progress for drawing my party of seven for the new Neon Odyssey settings.

There is T1N-C4N aka Tin Can, my anitron juggernaut (barbarian) he was originally a deposit security bot, but after getting severely damaged, he was dumped in a junkyard. One of the other players, an Oozoid Mechanist, eventually found him, pulled him out of the junkyard, and reprogrammed him.

We also have Mold the Oozoid mechanist my friend's character who created and reprogrammed Tin Can.

Theweapon dealer, Beetle BJ Juice the nematoan gridrunner.

Saurian oracle, Yu Long

And the Zorbrak tracer (I forgot his name)

There will be two more characters added later, being: nilari disciple and amanite cryiptist


r/DnD • • 1d ago

Art [OC] Dwarven Barrel Wagon - Mobile Tavern!

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1.1k Upvotes

r/DnD • • 45m ago

Art [Comm][Art] Tristan

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• Upvotes

Here's a character I illustrated: He was born with two marks on his body, one on each hand. During a stormy night, he accidentally killed his father after losing control of the power he was born with. Since then, consumed by guilt, he has worn his father's gloves to conceal his marks and remind himself of what happened. I designed the character to represent someone who is always on the move, exhausted yet constantly aware of his surroundings. With his worn-out clothes and hidden marks, he tries to escape his past, but he can never truly leave it behind. In the end, he will have to embrace the very power he was born with. Created with Photoshop.

How would you play her? Tell me what you think overall :D

Want your own character in my art style? Full-body character commissions are only $25!

If you are interested, you can contact me here.


r/DnD • • 20h ago

OC [OC] Shanda the archer

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275 Upvotes

Shanda is a skilled archer from the deep woodlands. Raised near the outer borders of the realm, she learned early on to rely on her keen senses, quick reflexes, and knowledge of the terrain to survive.

She avoids heavy armor that slows her down, preferring complete mobility on the battlefield. Her bow is custom crafted from reinforced ironwood, designed for long range precision. For close quarters combat, she relies on the dual shortswords strapped to her waist.

Hello all, I saw many comments on my post that were mostly negative in an ironic way towards my artwork and the decisions that I made about the character. First of all, fantasy has no limits and there are no rules. As an artist, I decide what I want to create. Not everyone will like it and that is acceptable. You can write a polite comment with your thoughts and your suggestions to have a good conversation, but mocking me because I decided to make her without armor and show her skin calling it "porn bait" is sad. In other words, the character of Tarzan as a King of the Jungle is not a good fantasy because he has no armor jumping from tree to tree and he wears only a piece of cloth? Is he porn bait or whatever? Do all those legendary artists like Frank Frazetta, or Boris Vallejo (creator of Red Sonja, the character who wears a metal bikini) not create fantasy at all, or is it porn? Really, I can't understand the world today and all this toxic behavior.


r/DnD • • 3h ago

DMing help my brain is not working

11 Upvotes

Okay, i need help from creative minds lol. i’m running my first homebrew campaign. i have a beautiful world with wonderful lore and amazing maps and puzzles and all the works. but im missing a key piece of the story and my brain isn’t working.

basically, there’s a mage who sends the entire population of my world into a mirror dimension, where magic is stronger and generally more evil. i’m struggling to come up with her freaking motive though and a situation where the mirror dimension is actually necessary. help lol


r/DnD • • 1h ago

5.5 Edition 3rd Party Campaign Opinion - Odyssey of the Dragonlords, Raiders of the Sepent Sea, or Crown of the Oathbreaker?

• Upvotes

Hi all! I'm up next in my table rotation to DM. Our group has already done or touched some of the greatest hits:

  • Mines of Phandelvar
  • Curse of Strahd
  • Tomb of Annihilation
  • Rime of the Frostmaiden
  • Dungeons of Drakkenheim (unfinished)

I'm looking for an epic adventure to run, and since we've played the best of official content looking at 3rd party stuff. I'm impressed by the scope of and seen pretty good things about:

  • Odyssey of the Dragonlords (Remastered)
  • Raiders of the Serpent Sea
  • Crown of the Oathbreaker

Have folks played or DM'd these modules? What were your impressions? If able, would love to hear a compare and contrast. From what I've heard, they are all epic in scope but all need their own fiddling and fixing behind the scenes and a decent amount of DM prepwork. Plot holes and such I can work with, but would prefer LESS fiddling with encounters, so higher % fine out-the-box combat is definitively a plus.

I'd love to hear some example adventures in the module as looking up reviews of each and some casual searching isnt turning up much to compare, especially Raiders!

Welcome to hear any other recommendations as well! Only caveat is campaign needs to have average or more amount of combat (due to player preference), so RP-majority campaigns like Wild Beyond the Witchlight are out.


r/DnD • • 14h ago

Art [OC] I made a Coffin mimic Paper mini

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64 Upvotes

Im back with some more Paper Mini for my paper world ^^

I thought I would make some Coffin mimics for Halloween. As always since I play with my kid I like to walk the line between scary and cute? So you get the feel of oh that's some obstacle to fight but not have nightmare for days. If that make sense ^^

This time i create 2 variant, a larger one that you can open the lid and see the event horizon ^__^ And a small one that crawl around on some nightmare ish tentacles

Ill post more picture next time ^^

As always enjoy ^^


r/DnD • • 19h ago

Art [Comm][Art]Phoenix Phorce Rebellion vs Ashenscale the Tyrant of Hrathirr

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144 Upvotes

This is an incredibly special commission for me as its one my DM commissioned me to do for our campaign
From top to bottom we have:

Riven Survivor of Hrathiir, the human Rune Knight Fighter
Karesh theh Ghost of Hrathirr ,The orc Circle of thhe Moon Druid
Justice , the Haniwa Shrine Warden Cleric
Wuquium, the Cyclopian Wizard of the Order of Scribes
and Bo Kalk, the Gobboc Tamer Infuser with his faithful pet Slaghund : Tenders

Going against the red dragon Ashenscale

This campaign was heavily inspired by and heavily features classes, species and items from The Loot Tavern's supplements : Heliana's Guide to Monsters and Ryoko's Guide to the Yokai Realms

and for anyone who'd like art of their characters , DND or otherwise :) commission info and my links are down below, feel free to contact me here or in any of the links below if you're interested or at art.of.azrael on discord

Commission Base Prices

Portfolio - Azrael (all of my art and socials)

Bust -$120 sketch, $150 lineart, $170 flat colours, $200 fully shaded

Half Body -$170 sketch ,$200 lineart, $220 flat colour, $250 fully shaded

Full body - $200 sketch, $230 line art, $250 flat colour, $300 for fully shaded

  • these are the baseline prices, if the requested piece has a lot more details than normal additional charge will be discussed depending on exactly how much extra work it would entail.

Backgrounds - extra depending on how complex. A simple single colour background is included for free if you don't want a specific background. +- $250

Manga (Half Toned) - See flat colour rates above

Spice is fine, but might cost extra depending on what's being asked.

Payments are to be made up front using PAYPAL.

Feel free to contact me here or at art.of.azrael on discord:)


r/DnD • • 1h ago

Out of Game What are the location cliches that you have seen the most?

• Upvotes

Generally speaking, quite a lot of plots begin in a tavern or at a city square, with the journey leading them through the woods and ending at a throne room. Are there any stereotypical/cliche landscapes, locations and places you've seen the most? Are there any you're tired of, love or hate?


r/DnD • • 19h ago

Out of Game Dnd community, what’s that one thing that, either players or DMs do, that absolutely ticks you the wrong way?

132 Upvotes

For me, I was in a party with newish players (Im someone who is relatively newish myself but could hold my own) no big deal. The thing was, no one knew how to read their sheets. The dm, who helped the newer players how to read/make sheets taught how to do it session zero. I’m not trying to sound rude, but please my advice to new players is to research how to read your character sheets.


r/DnD • • 1h ago

OC Map ideas for a Halloween session [OC] [Art] [No AI]

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• Upvotes

r/DnD • • 36m ago

DMing Player in our party doesn't seem to get it.

• Upvotes

I don't post much but wanted to hear some other experienced people's opinions on an issue that I've been having with one of my players.

I've been DM'ing for about 18 years now and have seen my fair share of issues with players. Generally I find that talking things out is the way to go for just about everything, and only rarely removing serious problems if they can't go away; But recently I have encountered a unique situation with one of my players.

I recently started running an online 'The Curse of Strahd' for a few people that I have known for a while. We started with 6 players, but it quickly dropped to 4 before session 1 due to scheduling challenges. However, one of those 4 players I hadn't actually invited to the game. That person is my good friend's wife. While I like her plenty and we get along as friends I generally understood that she wasn't really into tabletop RPGs, but seeing as she wanted to be included, kind of just invited herself. I didn't have an issue with her joining as long as that's what she wanted to do, I was merely surprised. And it worked out because that left us with 4 players.

Quick background that's valuable. 2 players are veterans of D&D including her husband, and one player is still somewhat new but eager to play more. So we have a mixed table of experience. She has played thousands of hours of Baldur's gate and a little Pathfinder so I figured it was a good enough starting point to at least know the rules (decently).

Jump to session 1. We have had this start time set for 2 weeks in advance that everyone agreed on. Her work closes at variable times so it was a possibility that she would get home a bit later. Though, when she did get home she sat in the car for another 30 minutes and then fumbled around the house for another bit. While the rest of us waited to start, and we knew she might be late we weren't expecting to be 1.5 hours late to starting. We all had limited time due to work in the morning, so we valued not wasting time. Unfortunate but this was only the start.

So we start late, and while I'm setting the scene jumping right into it, she immediately starts complaining to another girl in the party that everything is "soooooo slooooow". Which I don't mind critiques, but in a horror setting pacing is everything so taking things slow was very intentional, and continued complaining about pacing despite it not being slow for D&D but perhaps slow compared to a single player game. All the while being minorly disruptive. Again, none of this being overwhelmingly problematic by themselves but it was starting to add up. Then before too long she just left only an hour into gameplay. No explanation, no excuse or reasoning. Just left. I later found out her reasoning was that she was tired and decided to just go to bed.

Now as a DM who spent hours of my time preparing by reading, researching, making maps etc I kind of just felt disrespected at this point like she just didn't care about the game or anyone else playing it. I too have to get up at 5 AM for work so I understand being tired but I still show up because it's a group project. I asked each of the players their feelings on it and they too felt very frustrated by the proceedings. Including her husband. She even passive aggressively complained later that I didn't play her character right in her stead.

So being part of the job as a DM I intend to bring it up in the following session to discuss. I imagine it's just an issue where she doesn't understand that this is a social obligation that you sign up for. Other people rely on you and expect you to do your part. It's fine to miss when things don't line up, but this wasn't "something coming up". So at the very least I wanted to give her some perspective and give her a bit of a picture of how others felt.

Jump to session 2. Same problem. We move the session back to accommodate her schedule a bit more and we still start an hour later than that. She dips almost immediately without an explanation. Later sending me a private message with a half baked excuse of how I should be handling her just "popping in and out" because I guess she just wants to come and go randomly joining at her discretion. Which she did. Despite me attempting to tell her that's now how it works in our game.

Well it all falls pretty much flat. Almost no communication is happening, despite the efforts. Nothing is getting through, and she just doesn't seem to understand that this isn't some single player game where she can do as she likes with no regards for others.

At this point I would usually just cut the line and tell her that she won't be joining at all. But this is the first time that Ive had a player like this so closely linked with another player. And I can't remove them both because that both feels unfair and leaves the game with too few people. It really feels like she just doesn't comprehend what tabletop gaming is, and doesn't want to engage with it, but still needs to be included. I'm trying to be nice and work with her as much as possible both because of our closeness but also because I know she has a lot going on in life separately and I'm not trying to add drama to that.

Any suggestions or thoughts would be greatly appreciated. And I apologize for such a long story. Thanks!

TLDR: New player who is very close to everyone personally doesn't understand how tabletop games work from a social aspect and doesn't seem to respect others time/effort won't listen to requests but can't easily be removed from the game either. Help!


r/DnD • • 14h ago

DMing I need unserious encounter ideas

42 Upvotes

I'm running a short cursed dnd campain where things are just not quite right so if you have any silly encounter ideas you've never had the chance to use I'd love some inspiration :D